“Tatar is likewise exemplary, boasting a sensational singing voice and
illuminating the contradictory emotions that humanize his initially judgmental character.”
Backstage, “Kiss of the Spider Woman”
“Playing against type, perennial boy-next-door Daniel Tatar transforms himself here into the rough, tough-talking political activist Valentin. Tatar, like Borden, is an actor first and foremost, but one who happens to be able to sing in a voice that any musical theater performer could wish for.”
StageSceneLA, “Kiss of the Spider Woman”
“Daniel Tatar’s puckish Ahmet Ertegun…is a standout!”
- Variety, “Ray Charles Live!”
“Daniel Tatar (in yet another memorable turn from one of our brightest young L.A. theater stars)
channels his inner nerd as Ahmet Ertegun”
- LAStageScene.com, “Ray Charles Live!”
“The charismatic Tatar parlays…’The Schmuel Song’ into an irresistible highlight. Both performers excel vocally and convey an impressive range of emotions.”
- Backstage, “The Last Five Years”
“the most likeable and charming actor“
- Jewish Journal, “The Last Five Years”
“boyish and ingratiating…a kind of youngish David Schwimmer.”
- The News Sun/SCN Media, “Joseph and the…Dreamcoat”
“shoulders the play…without avoiding the less charming aspects of the character.”
- Long Beach Press-Telegram, “Over the River and Through the Woods”
“It’s a giant testimony to actor Daniel Tatar’s seemingly effortless onstage charm that he pulls off [“Shiksa Goddess”] – and the rest of the score – and still maintains our keen interest in this guy.”
- Los Angeles CityBeat, “The Last Five Years”
“…delightfully fresh.”
- Chicago Tribune, “Joseph and the…Dreamcoat”
“The brightest discovery here is Daniel Tatar… Tatar is a real charmer, dark-haired and adorable with a powerhouse tenor voice.”
- Steadstyle Chicago, “Joseph and the…Dreamcoat”
Click Here for
New York Times’ Paradise Lost: Shadows & Wings Concert Review
Plus, these reviews of Daniel’s First Cabaret, Boy Band Wannabe:
Daniel Tatar’s First Cabaret A Smash!, Broadway World Review.
Tatar on the Top, Backstage Review
